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PHOTOGRAPHY – PIANO

Franz Schubert, a name familiar to most people.

Music, beautiful touching music in so many ways. Schubert without Vienna – a no go. Definitely.

Playing his music at the piano throughout my entire life and teaching Schubert songs at the University for so many years were some of the best experiences in my life ever. And yet, after all these years the mystery of his music is as untouchable as ever.

Yehudi Menuhin, the wonderful violinist, once said, “Music lifts the edge of the veil, which covers hidden mysteries.” Another musician, responding to this many years ago, said, “And after this short moment the veil will sink back and cover again what is meant to be hidden anyway.” A truly intelligent answer.

The program will be split into 3 parts.

2 Impromptus
Photos, I took at the most relevant Schubert-related places in Vienna
2 Impromptus

Schubert – a genius. His music – a light, far away in the dark. But it shines and one can only try to come closer. Not more.

 

SCHUBERT – WHO ?

Saturday, June 18 at 7 p.m
Quo Vadis, Stephansplatz 6, 1010 Wien

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Schubert „gegoogelt”.

Dann weiss man Alles was nötig ist und kann ihn „ einordnen”. Glück gehabt, denn nun weiss man wo’s lang geht.

Oder trennt man die Bereiche, die Musik und sein Leben? Unter dem Motto: „Kunst pur und sonst nichts“ ? Ein sicheres Feld, da kann schon einmal gar nichts passieren. Und selber ist man „aus dem Schneider”.

Und wenn man seine Zweifel hat an all dem ? Was dann?
Muss man auf Alles eine Antwort haben und ist es die Aufgabe der Kunst, Antworten zu geben ? So unter dem Motto :„ Bei mir bist Du sicher? “ Keine Fragen, keine Zweifel; einfach schön und zum Genuss unbedenklich geeignet.

SCHUBERT – WHO ?
Bilder seiner Umgebung, seiner Freunde; die Zeit und ihre Verwerfungen, persönliche Eindrücke und Prägungen dessen, was man hört, sieht und in weitestem Masse erfährt.

Bausteine, die ein Bild ergeben? Oder öffnet man eine Tür – mit viel Mühe manchmal -, und hinter dieser Türe haben sich viele andere verschlossene Türen verborgen?

Einem Genie kann man sich nur nähern, nicht mehr.

SCHUBERT – WHO ?

Am Samstag, 18. Juni um 19 Uhr 
Quo Vadis, Stephansplatz 6, 1010 Wien

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         Musical background                                                                                                  

My first piano teacher was the organist of the church in the little village. She taught me how to explore the wonders of music. Music was magic and an adventure.
From 10 to 18 I had the best piano teacher I ever had. He was a quiet man with a huge background, which I was not aware back then of course. He let things grow slowly and taught me to musically feel the difference of various styles and how to bring this feeling to life at the piano. He did that in a way nobody else was ever able to do.
At the University I met some wonderful musicians from whom I learned everything which is necessary for making music in a professional way. To them music was the center of everything, which is the best a student can experience when learning.

For many years I worked with Hilde Langer Ruehl, a fabulous teacher. She taught me that musical knowledge is not only an advantage, but a must for a professional musician. And I learned to handle criticism. She was very outspoken, when she did not like what she heard, but always told me why and providing options for correcting which was wrong in her opinion.

The best ever was though: She was never personal, which was the reason for me to work with her for such a long time.

Musical activities:

Teaching at the University of Music (Lied) was the best job I could imagine. Working with students was a pleasure. Of course the musical adventure did not end with my retirement in 2015. The good thing about music is, that it is there for everybody and is not owned by anybody.

Recording for Radio and TV.

Concerts in various countries in Europe ( recitals and CD recording of Mendelssohn songs with W. Holzmair)
“Kuckucksruf” due to the end of WWII in Vienna and Berlin: A project including dance,song,reading and Solo Piano.
Masterclass “German Lied” as well as concerts (Lied, Solo Piano) in Japan.
Masterclasses and concerts at WIU, Macomb, USA in 2007-2010
Chamber music with members of the Vienna Symphony Orchestra.
CD recording (Gramola) with Wilfried Gottwald, clarinet ( Vienna Symphony Orchestra): Poulenc Sonata and Jazz Variations by M. Garson

“Fleeing Hitler” – a L.I.F.E class – project with Marietta Dean ( mezzo soprano) in Macomb, 2012
Masterclass “German Lied” in September 2013 at the University of Minnesota, Minneapolis

In 2023, I decided to quit playing concerts after 50 years on stage. I was lucky to perform with outstanding musicians throughout my entire career, and these wonderful memories made my decision an easy one.
The joy of making music won’t fade away, but the resources needed for playing concerts can be used for new fields to explore.

 

Photography

My professional photographical career started in my mid-fifties. After 4 semesters at a private photo school I earned a diploma and very soon got connected with a gallery in Vienna.

The gallery is located at the former house of Frederic Morton, a Jewish Austrian citizen, who had to flee the Nazi regime in 1939. He then moved to the United States, where he lived ’til his death in 2015. He was the author of many books and came back to Austria every year not only for lectures, but also to visit the gallery at his former home, in which  his father’s metal factory was located as well.

After exhibiting my early photographical works, ordinary dolls telling stories about human life, I worked together with the gallery on several multimedia projects, combining photos, beamed on a wall with live piano music.

For the Project “Fleeing Hitler” I was allowed to photograph metal remnants from the former Morton factory.  I combined these photos with photographs my dad had brought home from WWII in Russia, where he had served in the “German Wehrmacht” ( the German Army).
The musical component of this show was piano music by Ruth Schonthal, a composer, who – after having been forced out of Europe as well – lived in the United States till her death in 2006.

During Frederic Morton’s visit in 2010 the gallery organized a private show for him.
“Fleeing Hitler” was also the program of a LIFE class with Marietta Dean a few years later.

It soon turned out that Documentary Photography was the photographical genre which interested me the most.

Projects shown at the gallery:
“Facets of Vienna” 
“Women. Fantasies”, with live music from R. Schumann and Ruth Schonthal
 “Digital Life”.

With “Danielmuehle”, a cultural center north of Vienna,I collaborated on a photographical project with piano playing.
In 2016 the “Quo Vadis”, a gallery in Vienna, presented my “Schubert- who?” project, which later became part of a LIFE class with Marietta Dean as well.

On the side, I also photographed the staff of a data company and provided photos for the online presence of a Bed &Breakfast in Austria.

Projects with “Kunst und Medizin” in Vienna
                                  ————————-

In the US the “Inselhaus” in Macomb was the first to show some of my photos.
Exhibition “Discovering Macomb” at the Art Center in Macomb 2019